mocosa >
The mutilation of the savage has its tragic survival in the self-denial that mars our lives.
--Oscar Wilde

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iamjapanese:

Beth Ganz(American)
Bathometric 1    2014
Ink, Brush and ink on kozo shi paper
also

iamjapanese:

Beth Ganz(American)

Bathometric 1    2014

Ink, Brush and ink on kozo shi paper

also

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transistoradio:

Tamar Zinn (b.1953), Fermata 2 (2011), oil on panel, 25.4 × 25.4 cm. Via Artsy.

transistoradio:

Tamar Zinn (b.1953), Fermata 2 (2011), oil on panel, 25.4 × 25.4 cm. Via Artsy.

+ It was autumn, the springtime of death. Rain spattered the rotting leaves, and a wild wind wailed. Death was singing in the shower. Death was happy to be alive. by: Tom Robbins, from Still Life with Woodpecker (Bantam Books, 1980)
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jesuisperdu:

fairfield porter
1971

jesuisperdu:

fairfield porter

1971

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apoetreflects:

Edward Steichen, The Pond—Moonlight,1904

apoetreflects:

Edward Steichen, The Pond—Moonlight,1904

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braces2001:

you have no didea how much i love this vuideo

yes

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thespearhead:continuarte:

Mark Rothko, 1963

†
!!!

thespearhead:

continuarte:

Mark Rothko, 1963

!!!
+ I am not bound to win, but I am bound to be true. I am not bound to succeed, but I am bound to live by the light that I have. by: Abraham Lincoln (via likeafieldmouse)
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blue-voids:

Chihiro Kabata - ballpoint pen on paper

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+ Literature was not born the day when a boy crying “wolf, wolf” came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying “wolf, wolf” and there was no wolf behind him. by: Vladimir Nabokov, Lectures on Literature
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amare-habeo:

Felix De Boeck (Belgian, 1898 - 1995)
Composition 1923 (1960)

amare-habeo:

Felix De Boeck (Belgian, 1898 - 1995)

Composition 1923 (1960)

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retrofutureground:

Laboratoire de Physique Stellaire et Planétaire de CNRS, Soleil, Protubérance, +/- 1965, France.

retrofutureground:

Laboratoire de Physique Stellaire et Planétaire de CNRS, Soleil, Protubérance, +/- 1965, France.