mocosa >
The mutilation of the savage has its tragic survival in the self-denial that mars our lives.
--Oscar Wilde

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pauljuno:

'morganite, aquamarine and heliodor' paint on top of linseed oil

pauljuno:

'morganite, aquamarine and heliodor' paint on top of linseed oil

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Coco & Serge

Coco & Serge

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medverf:

Peter Gallo

medverf:

Peter Gallo

+ Yet, I didn’t understand that she was intentionally disguising her feelings with sarcasm; that was usually the last resort of people who are timid and chaste of heart, whose souls have been coarsely and impudently invaded; and who, until the last moment, refuse to yield out of pride and are afraid to express their own feelings to you. by: Fyodor Dostoyevsky, Notes from Underground 
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blejz:

Bernice Bing (1936 - 1998)
A San Francisco native, Chinese American, artist, lesbian, community activist—Bernice Bing, was a bridge between many worlds. She came of age during the Beat era and entered the San Francisco arts landscape in the 1960s with her paintings, which synthesize abstract modernist painting with Chinese calligraphy.

blejz:

Bernice Bing (1936 - 1998)

A San Francisco native, Chinese American, artist, lesbian, community activist—Bernice Bing, was a bridge between many worlds. She came of age during the Beat era and entered the San Francisco arts landscape in the 1960s with her paintings, which synthesize abstract modernist painting with Chinese calligraphy.

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stevemccurrystudios:

On Assignment

Please follow us on Instagram. 
http://instagram.com/stevemccurryofficial

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safikm:

Chynna 

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goldenclitoris:

THIS IS TRULY THE WILDEST SHIT I HAVE EVER SEEN AND I LOVE IT

Minnie noooo

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31art:

Alberto Giacometti

31art:

Alberto Giacometti

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abstrakshun:

John Golding (British, 1929-2012), Untitled, 1965. Acrylic on canvas, 142.5 x 188 cm. Scottish National Gallery of Modern Art, Edinburgh.

abstrakshun:

John Golding (British, 1929-2012), Untitled, 1965. Acrylic on canvas, 142.5 x 188 cm. Scottish National Gallery of Modern Art, Edinburgh.

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davidsimonton:

Abandoned Morris Minor, Glencar, County Sligo, Ireland, 1980, Photo by Martin Parr

davidsimonton:

Abandoned Morris Minor, Glencar, County Sligo, Ireland, 1980, Photo by Martin Parr

+ Don’t fool yourself. English isn’t inherently superior, or easier to learn, or more sonically pleasing. Its international usage comes from forceful assimilation and legacy of colonialistic injection. It isn’t a deed that one should take pride in. by: my uncle left this comment on his friend’s Facebook status, a white British man who was bragging about how easy it is to be a native English speaker when trekking to different nations. (via maarnayeri)